It is well that war is so terrible, that we should grow too fond of it.   (Gods and Generals)

He won't hurt you. I need a New Yorker for that.   (Last Seduction, The)

Elizabeth shall be a greater queen than any king of yours.   (Anne of the Thousand Days)

Peter: You think you're Peter Pan, Michael. But you're not. I'm Peter, and I'm sitting on the pan.   (Party Monster)

Perhaps,... perhaps Scotland Yard did not have the invaluable assistance; the keen insight and the extraordinary patience of Doctor John Watson.... my friend   (Without a Clue)

Lois:Superman wi- Lex Luthor:WRONG!!!!!!!!!!!   (Superman Returns)

So what really happened that day? Let's just for a moment speculate, shall we? We have the epileptic seizure around 12:15, p.m. distracting the police making it easier for the shooters to move into their places. The epileptic later vanished, never checking into a hospital. The A-Team gets on the sixth floor of the depository. They were refurbishing the floors that week, which allowed unknown workmen access to the building. They move quickly into position just minutes before the shooting. The spotter on the radio talking to the other two teams has the best overall view, the *God* spot. B-Team one shooter and one spotter with radio gear and access to the building, moves into the lower floor of the Daltex building. The third team, the C-Team moves into the picket fence behind the Grassy Knoll, where the shooter and the spotter are first spotted by the late Lee Bowers in the watch tower of the rail yard. They have the best position of all. Kennedy is close and on a flat low trajectory. Part of this team is a coordinator who has flashed security credentials at people chasing them out of the parking lot. Probably 2 or 3 more men are in the crowd on Elm. 10 or 12 men. Three shooters. Three spotters. The triangulation of fire that Clay Shaw and David Ferrie discussed two months before. They have walked the plaza. They know every inch. They have calibrated their sight. They have practiced on moving targets. They are ready. Kennedy's motorcade makes the turn from Main onto Houston. It's gonna be a turkey shoot. They don't shoot him coming up Houston, which is the easiest shot for a single shot from the Book Depository. They Wait... They wait until he gets in the killing zone, between three rifles. Kennedy makes the final turn from Houston onto Elm, slowing down to some 11 miles an hour. The shooters across Deely Plaza tighten, taking their aim, waiting for the radio to say *Green! Green!* or *Abort! Abort!*. The first shot rings out, sounding like a backfire it misses the car   (JFK)

Beginner's luck.   (Mr. & Mrs. Smith)

Never let the truth get in the way of a good yarn   (Chopper)

murdoc im coming to get you   (Rambo: First Blood Part II)

You know the rules. No co-pilots, no excess baggage.   (Spirit of St. Louis, The)

You became persona non nookie to me the minute my best friend started dittlin' your pooter.   (Clerks II)

Do they teach beauty queens how to apologize? Because you SUCK at it!   (Erin Brockovich)

George is dead...You might say he died in the saddle.   (Hot Spot, The)

Who do you want me to be?I've been nobody but myself my whole life.   (Big Fish)

College is for pussies!!   (Accepted)

Some women are afraid to talk because a bone will pop outta their mouth   (Eddie Murphy Raw)

Frank Costello: Have a seat, Bill.
[Costigan sits down at Costello's dinner table]
Frank Costello: [while eating crab] Do you know John Lennon?
Billy Costigan: Yeah, sure, he was the president before Lincoln.
Frank Costello: Lennon said, I'm an artist. You give me a fucking tuba, I'll get you something out of it.
Billy Costigan: [sarcastically] Well I tell you Mr. Costello, I'd like to squeeze some fucking money out of it.
Frank Costello: Smart mouth. Too bad. If you'll indulge me...
[sees Gwen leaving]
Frank Costello: Now what?
Gwen: Choir practice.
Frank Costello: [annoyed] Choir practice.
[Costello pulls out a severed human hand]
Frank Costello: The point I'm making with John Lennon is - a man could look at anything, and make something out of it. For instance, I look at you and I think what could I use you for?
  (Departed, The)

1)Guys no cuttinng in line. 2)This is for Brodie   (Mallrats)

We - want - YOU - to be - THE DICEMAN.   (Four Rooms)